- Having no fixed home; changing location regularly as required for work or food.
Original Idea & Inspiration
This image is completely different to the one I originally set out to shoot. Unlike most of my other images, there was no sketch for me to refer to, nor did I make a mood board for inspiration.
Originally, I had the idea of shooting an image of this character who has been travelling for a long time down this long winding path. I wanted to suggest a sense of oddity by having them carry a suitcase to which they are handcuffed, that perhaps what lies in this suitcase is so valuable to them that they can’t let it go. In fact, the more that I thought about this reading, the more I felt that the image would mean something more significant, becoming a commentary on the way in we carry the weight of people, thoughts and feelings that we just can’t discard. I also wanted to hint at the character being some kind of outlaw, or someone who isn’t quite aligned with the rest of society; maybe someone who is a little bit more ‘freer’, yet are so constrained.
Suitcases are somewhat of a reoccurring theme in my work, particularly in my images Bearing The Burden and Detour, and I had both of these images in mind when I shot Peregrine. To be honest, I was a little worried, as I knew that all of these images would end up being similar, and although I suppose this is the case, I do think that Peregrine is more considered and shows a more thorough context.
Looking back for the inspiration of the image, I suppose I can trace the use of a suitcase back to the film The Two Faces Of January, which I watched only a few days ago, in which a character carries a suitcase of money around with him everywhere but I also like this idea of creating an image that has a bit more of a dynamic. Most of my images are quite still, so I thought that it would be great to shoot an image of someone running as it shows that the character has more of a purpose or a final destination in mind. My work is very much tied with the themes of uncertainty and journeys, which link to my overarching commentary about the duality of freedom and constraint within contemporary society.
The Set Up & Camera Settings:
Cinematography, as it always is, was very much an influence in this image, particularly in the way that I decided to place the camera:
Normally, I shoot my images quite straight on so that the subject is parallel with the camera, but I decided to switch it up a little bit and placed the camera and tripod on a bench to raise the angle of the shot. Shooting from different angles is something I really want to experiment with, but as I’m still in the middle of a series, I don’t want to just start switching up the MO too much.
In terms of the set up for the image, I had the tripod and camera in place, and as I didn’t have an assistant, I decided to set the focusing of the camera to the center focus point, so that I knew where I’d have to be when the shutter clicked. I activated the shutter using my wireless remote set to timer mode, handcuffed myself to the suitcase and starting running back and forth to get the shot!
Here is a gif of other poses I had shot:
Here were my camera settings:
After I’d shot the poses and knew that there was at least one that I was happy with, I then expanded the frame, as I knew that I wanted the image to be quite a lot bigger to put a fair amount space between the character and the landscape. I almost always expand the frame by shooting the main image, then tilting and shooting two frames upwards (so that the images overlap one another) and then downwards. I Always do it in columns so that when it comes to photo merging them in photoshop so it is easier for me to organize the images which makes the process that little bit quicker.
I then swivel the camera left and right and do the same if I need to build a wider image. For this image, the frame expansion was quite challenging as it was quite windy, which meant that I ad to wait for the wind to die down before I shoot the images as I wanted to make sure that they matched up properly.
As you can see by the editing video, my postproduction for this image consisted of only a three steps:
- Frame Expansion
- Compositing The Sky
- Colour Grading
Firstly, I make sure that I have expanded the frame using photo merge to make sure that I have an image that is not only a lot bigger than the standard singular image size, but doing this allows me to crop into my image without compromising the quality, which is super helpful in case I may need to print the image out in the future.
I then composited the sky. The reason I did this is really twofold. The first is because when I expanded the frame; I knew that I didn’t go high enough to get the full natural sky in the final image, so I shot a series of images of the sky at the location afterwards to photo merge so that I could add it in later. The second reason, very much the same reason I added the birds in post was because I’m interested in creating a ‘constructed’ image, especially one where it may not necessarily appear that it has been manipulated so much in photoshop. I know that some people may refer to this as more digital art than photography, but realistically, the advent of digital technology has changed the very definition of photography and I think that it’s future lies within the digital realm. Also, I like to think of photography as a way to reimagine reality and to create events and moments that did not happen. There is a nice little paradox with regards to photography and authenticity as I consider that all photographs are both documentarian and fictitious at the same time.
Lastly, when I was happy with the frame expansion and the sky, I then colour graded the image, which is actually just a process of messing around with selective colour layers, curves adjustment layers and adding solid colour adjustments to selected colour range areas. I really liked how underexposed the original image was, but I realized that keeping it like that would make the image too dark, and it would eliminate all of the details within the image.
Although, I really liked the natural colour palette, but I decided to add some of the same colour blue in the character’s shirt to the sky to visually tie the image together as well as changing the greens of image to a colour that’s more vivid, without being too saturated.
I also used some Adobe Kuler (an app which I highly recommend) swatches that I made ages ago to sample from. When I made them I just picked a bunch of random colours that I don’t often use, so that it is easier for me to remember to use them (otherwise I’d just completely forget!).
Here are some of the ones I used if you want them:
Adding the birds to the image was a completely spontaneous idea. I thought that, as there was so much vast sky, I wanted the viewer’s eye to be looking at something other but I didn’t actually think that they would so much to the overall image. The title, Peregrine, suggests a person who has no fixed home, someone left to wander around, looking for food and shelter, but it also the name of a bird. For me, the inclusion of the birds really ties the character to the idea of wandering, uncertainty and perhaps even escape, whether that’s from a certain someone or from or the escape from living a “normal” life. I also like to think that the birds suggest a certain sense of freedom for the character and by having them both travel in opposite directions gives the image more of a lonely and desolate undertone.
I hope you’ve enjoyed watching the editing process and reading about my image! If you have any questions, you can contact me by posting a comment below or contacting via the following social media sites!
Also, I would be very grateful if you could share my video or post! Any support is much appreciated!